Gylleboverket Konstnärsgrupp/Artist group

Gylleboverket artist group is run by the artists
Jona Elfdahl & Etta Säfve

They make exhibitions on various locations, often in collaboration with other artists, performers and sound designers. They work with installations, performance, social sculpture, video/film, sound, myths and rituals.

---

ALL IS FORGIVEN 2018/19

video
by Etta Säfve, Jona Elfdahl, Shelley Sharr

hd- video with sound 7 minutes

---

PUSHER 4 2018

theatre play and videoinstallation

by Liv Kaastup Vesterskov, Jörgen Dahlqvist, Etta Säfve, Jona Elfdahl

sound : Kent Olofsson

Teater Weimar & Gylleboverket

on tour:

Warehouse 9, Copenhagen Nov 2018

Inter Arts Centre, Nov 2018

 

---

ALL IS FORGIVEN (A SACRIFICIAL RITE) 2018

videoinstallation

by Etta Säfve, Jona Elfdahl, Shelley Sharr

Gylleboverket at Ystad Konstmuseum

videoinstallation as a part of the group exhibition Experiment för utopier, curated by Gunnel Pettersson.

videoloop 7 minutes, installation with room filled with water, wooden bridge, plastic bags with water that the visitors were asked to carry in to the installation.

THE SECRET GARDEN OF RESIGNATION 2018

installation, social sculpture, performance, video, a story told in an sound installation, creation of myths.

by Etta Säfve & Jona Elfdahl

Gylleboverket på Molekyl Gallery, Malmö

installation, social sculpture, performance, video, a story told in an sound installation, creation of myths.

live-performance with: Ulf Rönnerstrand, Marte Edvarda Tidslevold, José Figauera.

voices story: Torbjörn Säfve, Ulf Rönnerstrand, Liv Kaastrup Vesterskov

videoducumetation: mytbildning/myths:

https://vimeo.com/258575665

https://vimeo.com/258575974

I WILL NOT BE SAD IN THIS WORLD

– 2017

Installation in 3 rooms with objects, sound, smell and performance

by Etta Säfve & Jona Elfdahl

Gylleboverket at Skånes Konstförening, Malmö

Installation in 3 rooms with objects, sound, smell and performance

The desert.

A 100 m2 clay floor was built in the exhibition hall, drying up leaving cracks like in a solidified desert. A tree was digged up with it’s roots and moved in to the room. Living flowers and plants where attached to the tree and kept alive through a water pipe system. The room was filled with an artificial smell of flowers and a recorded sound from grasshoppers.

To enter the room, the public was asked to take their shoes off.

On the opening night a performance was held where every visitors feet were carefully washed before entering the room.

Cast: Marry An Carlsson

A ritual on chello was performed as a sound piece in the entrance room.

Performing artist: Amit Sen

The tear.

In the other room the visitors was asked to enter one by one to sit down on a chair. On the chair they were asked to close their eyes while a drop of water were placed on their cheek. The visitor was the left alone in the room while the drop ran down their cheek like a tear.

The sound of a heartbeat.

The personel of the exhibition hall where asked to choose between a artificial heartbeat or a living heartbeat when opening the exhibition. If they made the choose of a living heartbeat, a microphone was attached to their heart and the sound went out in loudspeakers. If choosing artificial, the sound of a recorded heart could be heard in the loudspeakers.

The libary.

A inhereted from Adryan Linden libary was placed in the entrance.

RITUAL & EXIL 2 – 2017

social sculpture, installation

Ritual: social sculpture, installation

by Etta Säfve & Jona Elfdahl

Exil 2: sound installation

by Etta Säfve, Jona Elfdahl & Elin Maria Johansson

Gylleboverket på Galleri Verkligheten, Umeå

Exil I – 2017

installation

by Etta Säfve, Elin Maria Johansson, Jona Elfdahl  

& sound composer Michel Wenzer

Gylleboverket at Verkstad Konsthall, Norrköping

Installation with sound and an island build up from roots, growing moss and plants.

Videodocumentation: https://vimeo.com/227010524

A party to cover the silence – 2017

installation, performance, social sculpture

an exhibition in two parts

part 1.

site specific installation with video projections, sound, candles

by Jona Elfdahl, Etta Säfve, Elin Maria Johansson

sound Michel Wenzer

video documentation:

https://vimeo.com/231591140

A party to cover the silence – 2017

installation, performance, social sculpture

an exhibition in two parts

part 2.

Performance, sitespecific installation, social sculpture

the piece took place in a villa in the village Östra Vemmerlöv.

by Jona Elfdahl, Etta Säfve, Elin Maria Johansson

.with Nikki Nicola Berg

videodocumentation:

THE ENCHANTERS/BESVÄRJARNA 2016

sitespecific soundwalk and installation

by Etta Säfve, Elin Maria Johansson ,Jona Elfdahl – Gylleboverket & sound composer Michel Wenzer

Gylleboverket at Inter Arts Centre, Malmö 2016

sound walk and installations in 5 rooms of IAC using sound, film, objects, smells & rituals

POSITION 1-4. DE STOD SIDA VID SIDA 2014

En scenisk installation och ljudverk på Gylleboverket.

by Elin Maria Johansson, Etta Säfve & Jona Elfdahl.

“Välkomna. Det här var deras plats. Han bar världen på sina axlar. Hon gick efter och plockade upp skärvorna.”

Besökaren blir genom en guide i hörlurar ledsagade genom en scenisk installation uppbyggd på Gylleboverkets mark. Som vid en arkeologisk utgrävning får publiken instruktioner att följa med runt platsen för två människors liv. Bland skroten  står en dukning fortfarande kvar på ett mossbeklätt bord. Röken från den eld  som en gång hållts vid liv och ännu inte falnat ligger kvar i luften. Ett skeende som återupprepats, en cirkel som sluts och plötsligt är det inte längre deras historia, utan vår.

.

——————————————————————————————————————–

EFTER DIG 2013

Performance

a collaboration between Elin Maria Johansson, Jona Elfdahl, Etta Säfve, Marie Hauge Jensen, Jonas Frankson

Performance 40 min. Dialog, elektromusik, videoprojektioner, och ljus.

Performance framfört av Marie Hauge Jensen & Jonas Frankson på Gylleboverket

Performanceföreställning med utgångspunkt i genusfrågor.
Framförd i en 30 m lång hangar med scener i varsin ände.
Aktörerna höll monologer om ensamhet och kärlekstörst i var sin ände medan publiken rörde sig fritt i det stora rummet.
Vid en given tidpunkt uppmanades publiken att vara en aktiv del av föreställningen genom att lyfta den manliga aktören och bära honom över rummet.
Därefter övergick monologerna till en dialog, i vilken aktörerna under samtal och genom fysiska medel utmanade sina personliga barriärer.

Annonser